@ Horbel

Thanks for sharing!
Quite the concept for audience engagement, although, I am not sure I completely get it, a super high end broadcast production on the one side and a somewhat unscripted (relatively cheap) backroom "watch party/after party" on the other that I assume were concurrent and under the same production "umbrella" (from an advertiser perspective, where are the eyeballs directed? But I digress...)
The iPhone and Snapchat/Instagram inclusion were really cool but too bad that they often stuttered over the wifi connection when used.
Keep in mind, I have no idea who any of these people (including talent) are or the nature of the "Connect Room" aspect of "The Voice - Belgium" brand, but I would be most curious to learn more about the post show/season analysis on the overall strategy and how it helped build the brand.
I know that perhaps much of those details are probably beyond the scope of your involvement, but considering the 'potential' resources of the public broadcaster and the relatively modest use of a webcam and some PTZs with vMix as the primary switcher is simply outstanding and I am sure that decision had to be made somewhere along the line and the producers must be generally pleased with the results. What can you tell us?
On the other side, what challenges did you face in putting it all together technically and what might you change next season?


Ice